Video Production
Video production for live events, built on broadcast capture. We record across every room, produce the films that come out of it, and hand the material back while it still matters.
Session and panel recordings. Clean, watchable records of what was actually said, from one room or from twenty.
Interviews. Filmed to camera, with someone leading the conversation who has already thought about what the finished piece needs.
Post-event films. Sizzle reels and highlight pieces to send out afterwards, cut from footage captured with that edit in mind.
Atmosphere and vox pops. The material that makes an event film feel like the event.
Full content libraries. Every session captured, organised, logged and delivered, for clients who need the content itself rather than a film about it.
Edits from footage you already have. Tell us what you have and what you want out of it.
Your event does not need to be streamed for us to cover it. A good deal of this work is on events with an audience in the room and no broadcast attached at all.

This is where our broadcast background does the most for you.
One of the events we work on is a large international conference with twenty separate breakout rooms, which we cover for Streamwise. Every one of those rooms has to be recorded, and all of it has to come back as content the client can actually use.
We helped architect the way that works. Each session is captured, brought into a single ingest and edit workflow, backed up, and sitting in front of the client for approval before we leave site.
That last part is the one worth pausing on. Getting a whole conference captured, edited, checked and signed off while the crew is still in the building takes infrastructure, and infrastructure is what we are good at. It means the material is ready at the moment it is most useful, which is immediately.
The same thinking works at a much smaller scale. For a religious community in Spain we produced a series of finished videos alongside their live webcasts, built from interviews and filmed panel sessions, all captured during a month-long retreat with a small footprint and no disruption to what was happening in the room.
The way to make something good for a client is to understand the client first. So the opening conversation is about you: what you need, what you are worried about, and what you are actually trying to achieve.
Once we know that, everything downstream gets easier. We go into the filming and into the edit already looking with an eye for the finished product, because we have had the conversations that tell us what you are hoping to get out of it. Settling that at the start is the difference between a day of filming and a set of videos you can use.
The crew follows from the same principle. We bring in the right people for the right job, and there are some very good camera operators in that address book.


The most useful conversation happens before anything is booked. Tell us what the finished material is for, and we will tell you what to capture and how.
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